It’s only fair to say this up front: Marcus Sakey’s Brilliance reviews itself right in the title.
Not that it’s likely to win the Man Booker Prize or whatever the top book award is these days — it’s a popular thriller, after all — but the brilliance of Brilliance is that a lot of people are unlikely to notice just how good it is because they’ll be too busy enjoying it. It’s ironic that my favorite whipping boy, Lee Child, has the novel’s cover blurb, because Brilliance is written in the kind of fast-paced, muscular prose that Child’s Jack Reacher novels reach for (sorry) but never manage to get any weight behind. Brilliance’s prose has so much weight behind it that, ironically, you won’t be able to put it down.
It’s hard to say exactly where Brilliance excels, because Marcus Sakey doesn’t wear his talent on his sleeve. It doesn’t excel in style, though the writing is strong and sufficiently subtle in both metaphor and syntax that you won’t notice it being subtle. (Shouldn’t subtlety always be subtle?) Sakey specializes in crime novels and Brilliance has the lean, stripped-down prose of a detective novel without quite being one. It doesn’t have an extraordinarily original plot. When I tell you, in a couple of paragraphs, what it’s about, you’ll mutter that you’ve heard this one before and you probably have. It doesn’t excel in characterization. The characters have just enough depth that the reader cares about them — especially the protagonist, who has the most at stake — but not enough to bog the novel down in description. (Not that there’s anything wrong with that, George R.R. Martin.)
Where Brilliance excels is in structure. Sakey has an uncanny sense for the moment at which the reader’s attention is going to flag and fires off a revelation or plot twist just in time to keep his hooks in you. And, believe me, he sinks the hooks in early and deep. Sakey’s novel is so beautifully structured that the story always feels fresh, with perfect pacing and no scene held for even a beat too long — at least until the end, when the reader gets the denouement the book deserves, tying up loose ends so nicely that I was surprised to discover that this is the first book in a series. Believe me, it functions perfectly well as a standalone story.
Brilliance is what I like to call science fiction for people who don’t like science fiction, a genre I’ve come to enjoy more and more as I’ve gotten older. Here’s the plot: Brilliance takes place in an alternate version of our present, where back in the early 1980s special children called brilliants (or abnorms if you don’t like them) began to appear, mutants with unusual mental powers that manifest themselves in various and unexpected ways. By the 2010s these mutants have begun dividing up into two groups, those who live separately from the rest of the human race and those who just want to get along. And the U.S. government is starting to become disturbed by the possibility of an abnorm terrorist underground that could destroy normal society as we know it.
If you’re muttering that this sounds like a lot like the X-Men, both in comics and in movies, I’m with you. It does. And it’s to Sakey’s credit that this doesn’t feel the slightest bit like an X-Men film. Part of that is Sakey’s crime novel background, which makes this feel more like an action thriller played out on a large scale than a comic-book movie (which is not to knock comic-book movies, something I very much enjoy when they’re done well). Another thing that keeps this from feeling like the X-Men is that Sakey’s mutants don’t have what one would think of as superhero powers. None of them can fly, cause objects to burst into flame with their eyes, or shoot adamantium claws out of their fingertips (though there is a little girl who can pick up on body language cues so well that she can effectively read minds, a marvelous throwaway touch about halfway through the book). Sakey’s brilliants can do things like calculate cause and effect so rapidly that they know what’s going to happen two seconds in the future or distract your attention so deftly that they become effectively invisible. Sakey makes this all so thoroughly convincing that you never feel like like you’re reading science fiction, even when you notice the technological differences that brilliant inventors have introduced into consumer technology, like holographic televisions.
The protagonist is Agent Nick Cooper of the DAR — Department of Analysis and Response — a government agency founded to keep an eye on brilliants and given extraordinary powers by an equivalent of the Patriot Act inspired by this world’s abnorm equivalent of 9/11. The irony is that Cooper is a brilliant himself and he makes no attempt to conceal it. He’s sincere in his desire to keep the peace with normal human beings and even has two children, one normal and one brilliant, by his non-brilliant ex-wife. Cooper is searching for John Smith, a brilliant terrorist responsible for a heinous act of mass murder in the nation’s capital. But he’s also worried about his brilliant daughter, who he suspects has abnorm abilities so powerful that she’ll soon find herself under the watchful eye of the DAR, which makes him uneasy. And it’s this uneasiness that provides the subtle impetus behind much of the plot.
It’s not hard, even in the opening chapters, to see where this novel will wind up in the end. The fun is in figuring out how it will get there and Sakey is always one step ahead of you. It’s no surprise that the novel has a big reveal, but I’m embarrassed to admit that I didn’t see how big it was going to be. Still, it’s the little reveals and wonderfully unexpected moments that keep this novel in almost constant motion, pulling the reader along like a monstrous wave yet rarely feeling overhurried or frenetic. Sakey tells this story so perfectly that, even though I was reading it during a period when I had neither the time nor the focus for a lot of reading, I never considered putting it down for a different book. And now I’m psyched for the next book in the series, A Better World, which Amazon says is coming out on June 17. You might want to read this book now so you’ll be ready to buy that one the day it comes out. Believe me, I’ll be buying it with you.