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Message in a Bottle: Stephen King’s Under the Dome

Book #18 for 2011: Under the Dome by Stephen King

I stopped reading Stephen King after the 80s. Partly that’s because I just wasn’t reading as much as I used to, but it was also because King seemed increasingly, after his heyday in the 70s, to have become a sloppy storyteller. (Misery, that perfect jewel of a suspense thriller, was a delightful exception.) It’s possible that he got his act back together while I wasn’t reading him, especially in that series of novels about the eclipse that included Dolores Claiborne, but I haven’t read those and I really can’t say. What I do know was that the last several King books I’d read prior to the 90s, Misery excepted, had been a chore to read.

In his nonfiction work On Writing, King confesses that he more or less makes up his novels as he goes along, starting with an interesting situation and working toward a vaguely imagined resolution with no concrete idea of how he’s going to get there. This isn’t necessarily a bad thing. I think I’ve seen more novelists admit that they work this way (George R.R. Martin is another) than admit to actually plotting their stories in advance. The problem is that too often King’s books feel like they were written this way, with King spending dozens or even hundreds of pages vamping until he figures out where he’s going, and the result is that a lot of his novels are bloated and wordy, limp and formless when they should be taut and compelling.

I had worried that King had only grown worse since I’d stopped reading him. The only novel that I’ve read by him from the last 20 years — Desperation, which I wrote about here a few months ago — seemed to confirm my worst suspicions. Despite a good start, the plot wandered and became uninteresting even as the characters, who had started out as vivid creations, degenerated into plot devices. This, I feared, was the direction in which King had been heading.

Under the Dome, published in 2009, proves me wrong. Not only is this a good novel, it’s a novel that can stand with the best that King has written. If it isn’t quite the brilliant psychological thriller that The Shining was or the masterpiece of precision that was Misery, it’s more ambitious in many ways than either, much more on the scope of The Stand. King bites off a hell of a lot with this book and he manages to chew pretty much all of it. It’s epic in scale — my Nook assigned it 833 pages and Amazon says that the trade paper edition is 1,088 pages — but it isn’t bloated at all. Every word in this one counts and every sentence contributes to character development and moving the story forward.

The premise is simple and high concept: A small Maine town suddenly finds itself surrounded by an invisible, unbreakable force field that allows no one to enter or leave. But the ramifications of that premise are complex — this is a town that contains several hundred people, after all, and each has a separate life that is disrupted by the dome’s appearance — and King doesn’t shy away from working through this complexity in scrupulous detail. Yet King explicates those details so carefully and clearly that the story never feels complex and King manages his huge cast of characters with marvelous dexterity. I was rarely at a loss for who the characters were or what their relationships were to one another and to the story itself. Every time a character reenters after an absence of more than a chapter or two, King deftly works in a detail to remind you who they are and, if they’re a really minor character, he just comes right out and tells you. Every now and then he drops into a present-tense, omniscient-author mode and sorts carefully through the current positions of all his principle actors, just to make sure you know what they’re doing. This is the kind of thing that only an author who has been writing ambitious popular fiction for several decades can get away with and King does it as well as I’ve ever seen it done.

The plot is a marvelous clockwork mechanism, tight, suspenseful, and intricate, and it never ceases to move forward. It’s hard not to keep turning the pages (or swiping the screen or pushing the button or however you propel yourself through your text delivery system of choice) for the book’s full length. (And it’s an indication of how I’ve been affected by reading all those George R.R. Martin novels earlier this year that now, when my Nook tells me that a novel is going to be 833 pages long, I think, “Oh, that’s not so bad.”) King admits in an afterword that he had an editor help him strip the book down from an even longer first-draft and make suggestions on how to speed up any sections that dragged. I think it’s a mark of King’s continued seriousness as a writer that after all these years he’s willing to listen to an editor, something that for quite a while it seemed like he wasn’t doing.

I have a few quibbles with the technical details of the dome itself — the final description of it in the book’s last pages suggests that there might have been a very easy way of dealing with it that for some reason nobody ever thought of — but in the end these quibbles don’t matter because the dome is essentially a macguffin, a way of getting the characters into a metaphorical pressure cooker where events can become extreme without becoming unmotivated or unbelievable. And the characters are very nicely drawn, especially the chief villain. King understands that the best villains aren’t those who are trying to act villainous but the ones who see themselves as righteous people beset on all sides by villains like you and me. It’s their naked self justification that makes them hateful and the villain of this book is as nakedly self justifying as any character King has ever created.

I’m excited about King’s upcoming 11/22/63, an epic novel about the Kennedy assassination. If King handles that one as well as he handled this (and I sure hope he works with the same editor), it will be a knockout. But anyone who wants to read a thrilling King epic doesn’t have to wait until that book is released in November. Under the Dome is here now and once you start reading it it’s unlikely that you’ll want to stop. And it reads so quickly that I doubt that you’ll have any problem finishing it before the next book comes out.

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About Christopher Lampton

Chris Lampton, a cofounder of the e-book design firm Illuminated Pages (see link in my Blogroll), is a writer, an editor, an occasional computer programmer, a voracious reader, and a fanatic video game player. In the course of his distinguished if haphazard career he has written more than 90 books, including the 1993 computer book bestseller Flights of Fantasy (Waite Group Press). He lives in Los Angeles with his girlfriend Amy and two cats, and now spends much of his available time editing and rewriting novels for self-published authors.

2 responses »

  1. King did have a lull in the 1980s but easily his best book released from 1990s–> is Needful Things.

    Reply
  2. Christopher Lampton

    I’ll put that on my reading list. There are several other King novels that I’d like to catch up with now that I’m reading him again.

    Reply

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